Music of Bosnia and Herzegovina
| Music of Southeastern Europe | |
|---|---|
| Albania | Greece |
| Bosnia and Herzegovina | Rep. of Macedonia |
| Bulgaria | Romania |
| Croatia | Serbia and Montenegro |
| Ethnic groups: | Roma |
| Other regions: | Macedonia and Thrace |
Like the surrounding Balkan countries, Bosnia and Herzegovina has had a turbulent past marked by frequent foreign invasions and occupation. As a result, Bosnian music is now a mixture of ethnic Albanian, Bosnian, Croatian, Roma (Gypsy), Turkish, Hungarian, Serbian and Macedonian influences.
Table of contents |
History
During its period as a part of Yugoslavia, Bosnia and Herzegovina was covered in state-supported amateur musical ensembles called Cultural-Artistic Societies (Kulturno-Um(j)etnička DruĀtva, KUDs) which played folk music and released a few recordings on local labels.
Folk music
Rural folk traditions in Bosnia include the shouted, polyphonic ganga and ravne pesme (flat song) styles, as well as instruments like a droneless bagpipe, wooden flute and sargija.
Urban Bosnian music has a much more pronounced Turkish musical influence, using the saz and melismatic singing. The gusle, an instrument found throughout the Balkans, is also used to accompany ancient epic poems. There are also Bosnian folk songs in Ladino, derived from the area's Jewish population.
Sevdah
Main article: Sevdah
Sevdah is a kind of emotional folk song, typically led by a vocalist accompnied by the accordion along with snare drums, upright bass, guitars, clarinets or violins.
Sevdalinka
Main article: Sevdalinka
Bosnia and Herzegovina has probably retained the most marked Turkish influence that can be seen in the popular urban music called sevdalinka. Sevdalinka is a mixture of Turkish and Bosnian music, especially Muslim religious melodies called ilahije alongside Jewish songs like "Kad ja pođoh na Benbašu", the unofficial anthem of the city of Sarajevo. Sevdalinke is traditionally performed with a saz, a Turkish string instrument. Though not as common as it once was, traditional sevdalinka singers like Kadir Kurtagić, Emina Ahmedhodžić, Hasim Muhamerović and Muhamed Mesanović-Hamić are still popular to the extent that their recordings are available.
More modern performers like Safet Isović, Himzo Polovina, Zaim Imamović and Hanka Paldum have used non-native instruments, including the accordion, clarinet, violin and guitar, to some derision from purists.
Bosnian Root Music (Izvorna Bosanska Muzika)
Bosnian roots music (izvorna bosanska muzika) is a recent outgrowth of folk music from the Drina valley and Kalesija. It is usually performed by singers with two violinists and a šargija player. These bands first appeared around World War I and became popular in the 1960s. Modern performers in this field include the Jelić sisters and Kalesijski Zvuci.
Classical music
Main article: Bosnian classical music
Bosnian composers of European classical music include Dino Zonic, Edin Dino, Mirsad (Giga) Jeleskovic, Dusan Bogdanovic and Goran Bregovic.
Hip hop
Main article: Bosnian hip hop
Hip hop music came to Bosnia and Herzegovina from the United States, and became popular throughout the country with the big help of Edo Maajka, who is the most popular rapper in Bosnia and Balkan , who is now starting to expand his popularity yhroughtout the world. See also: Bosnian Music Awards
References
- Burton, Kim. "Sad Songs of Sarajevo". 2000. In Broughton, Simon and Ellingham, Mark with McConnachie, James and Duane, Orla (Ed.). "World Music Volume 1: Africa, Europe and the Middle East", pp 31–35. Rough Guides Ltd, Penguin Books. ISBN 1–85828–636–0.
Categories: Bosnian music